Dr. Jareh Das, “Painting Mythologies in Contemporary Times,” Essay, 2023. (pdf)
Artist Film by XEVOLVEZ, “Midnight Spill” at Perrotin, Hong Kong, 2023. (link)
W Harper's Bazaar, “Midnight Spill” at Perrotin, Hong Kong, 2023. (link)
W Magazine China Feature, “Midnight Spill” at Perrotin, Hong Kong, 2023. (link)
Nylon China, “Midnight Spill” at Perrotin, Hong Kong, 2023. (link)
Folasade Ologundudu, “Prayers, Divinations” at Nicodim Gallery, New York, 2022. (pdf)
Lita Barrie, Whitehot Magazine, February 2022. (link)
Allyson Unzicker, “Dirty Elements” at Contemporary Arts Center, UC Irvine, 2020. (pdf)
Repaint History, “Interview”, 2020. (link)
ArtMaze, “Exploring adoration, worship, heightened awareness and erotic sensuality through the body-inhabited objects of desire with Katherina Olschbaur,” ArtMaze Magazine Issue 15, Interview Rebecca Irvin, 2019 (pdf)
The Mantle, “Exorcising Images of the American West,” A review of Katherina Olschbaur's 'The Divine Hermaphrodite' by Arie Amaya-Akkermans, 2019 (link)
Aaron Moulton, “The Divine Hermaphrodite” at GNYP Gallery, Berlin, 2019. (pdf)
BLOUIN ARTINFO, “Horses” at Nicodim Gallery, Los Angeles, 2018. (link)
Gary Brewer, “Form as Potential” Art and Cake, 2018. (link)
Christie Hayden, “Wilde Reiter” at Oof Books, Los Angeles, 2018. (pdf)
AUTRE, “Wilde Reiter” at Oof Books, Los Angeles, 2018. (link)
BLOUIN ARTINFO, “Formal Encounters” at Nicodim Gallery, Bucharest, 2018. (link)
Jan Bykowski, “Aufbruch in Ausgeglichenheit,” Die Zeit: Kunst und Auktionen 11, 2016. (pdf)
Nicole Scheyerer, “Wenn das Öl noch nass ist,” Falter, 46, 2014. (pdf)
Florian Steininger (Bank Austria Kunstforum), “Malen heißt, seinen eigenen Raum zu erobern,” 2014. (pdf)
Die Presse, “Zu Orten hat Katharina Olschbaur eine besondere Beziehung,” Schaufenster, 2012. (link)
Elisabeth Krimbacher, “Auf einmal tut sich eine Welt auf 2011. (pdf)